Mumbai is capital of maharashtra state .
Mumbai is Economic capital of India .
- 18.9219 North latitude
- 72.8346 East longitude
- Elevation(or )mean sea level of MUMBAI 5 meter(or )15ft Above sea level.
- The Climate of Mumbai may be a tropical, wet and dry climate. Mumbai's climate are often best described as moderately hot with high level of humidity. Its coastal nature and tropical location ensure temperatures don't fluctuate much throughout the year.
- The mean average is 27.2 °C and average precipitation is 242.2 cm (95.35 inches).
- The mean maximum average temperatures is about 32 °C (90 °F) in summer and 30 °C (86 °F)
- in winter, while the average minimums are 25 °C (77 °F) in summer and 18 °C (64 °F) in winter.
- Mumbai experiences three distinct seasons:
- Winter (October to February) winter temperature 15 to twenty degree C Peak Winter Months – Dec to Mid Feb with temperature range 12–19°C; 2.
- Summer (March to May) Avg temperature 30 to 27°C; Peak Summer Months (Mid March to 1 June week), temperature shoots up to 30–40°C with humidity being approx 70–80%.
- 3.Monsoon: (June to September). Peak monsoon months: July & August sometimes with winds and thunderstorms. Temperatures at 24–29°C.
- November to march is best visiting time
- Hindi
- English
- marathi
- Bsnl
- Airtel
- Jio
- Idea
- Vodafone
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Chhatrapati Shivaji Maharaj Vastu Sangrahalaya.
- museum opening every day morning 10.15 am
- Museum close every day evening 6.00 pm
- The is no holiday throughout the week
Chhatrapati Shivaji Maharaj Vastu Sangrahalaya/ Prince of Wales Museum Mumbai Entry Tricket Price and Show Timings
Category Museum Entry Childrens Museum Museum Entry + Childrens Museum Museum Experience Indian Adult 85 35 110 50 Foreign Adult 650 Complimentry 650 50 Children 20 Complimentry 20 20 Student 20 Complimentry 20 20 College Student 40 35 70 50 Indian Senior Citizen 60 35 90 50 Defence Personnel 60 35 90 50 Group Indian Visitors 60 35 90 50 Photo Graphy Passes 50 for Mobile and Tabs Photo Graphy Passes 5000 for Photography with Tripod Tabs Photo Graphy Passes 100 for camera without Tripod Audio Guides (Passes Available on Ticket Counter and Informationm Desk Availabale on 7 Languages (Hindi, Marathi, English, French, German, Jampanese, Spanish) 50 Show Timings Mumbai Experience (Flim Duration 17 Mins English- 11:00 am | 1:00 pm | 2:00 pm | 3:00 pm | 5:00 pm
If you wish to avoid queues at the museum site and gain direct entry, it is a good idea to get your Chhatrapati Shivaji Maharaj Vastu Sangrahalaya entry ticket online.
- It is a Grade I Heritage Building of the town and is ready during a well set out garden that retains its original arrange. it's been awarded initial place for Heritage Building Maintenance by the Indian Heritage Society.
- The creator of the building, patron saint Wittet, was elite once Associate in Nursing open competition in 1909. Wittet is understood for the Indo-Saracenic type of design of that this deposit is one amongst the most effective examples. The Indo-Saracenic vogue combines Hindu and Saracenic subject forms, now and then incorporating some components of Western design. The Indian columned hall, the arched tent, the dome rising higher than the massive across arches forming a fine looking geometrical pattern-all these along create the deposit building a typical example of the Indo-Saracenic vogue. little jalis for light-weight and wind augment the grandeur of the building. patron saint Wittet skillfully incorporated the first wood arched tent purchased from a royal family (wada) at Nasik in Maharashtra, as a circular railing on the primary floor of the building. The dome of this building is intended once the Gol Gumbaz of Bijapur and also the ornament is derived from the Taj at urban center.
- Today, CSMVS homes approx. 70,000 artefacts and has an excellent assortment comprising sculptures, terracottas, bronzes, excavated artefacts from Indus depression sites, Indian miniature paintings, Indian ornamental arts, European paintings and ornamental arts, ceramic ware and ivories from China and Japan, etc. Besides these, the deposit has separate sections of collection and explanation
Architecture
- The deposit building is placed in three acres (12,000 m2) space, having a engineered up space of twelve,142.23m sq.It is enclosed by a garden of palm trees and formal flower beds.
- The deposit building, engineered of domestically quarried gray Kurla volcanic rock and buff colored trachyte Malad stone. it's a three-storied rectangular structure, capped by a dome assail a base, that adds an extra floor within the centre of the building. in-built the Western Indian and Indo-Saracenic type of design, the building accommodates a central entrance structure, higher than that rises a dome, plowed and changed well "tiled in white and blue flecks, supported on a lotus - flower petal base". A cluster of pinnacles, flat-topped with miniature domes surround the central dome. The building incorporates options like monotheism dome with a ornamentation along side protrusive balconies and adorned floors, galvanized by Mughal palace design. The designer, martyr Wittet, modelled the dome on it of source Fort and therefore the inner vaulting arches on those at the Gol Gumbaz in Bijapur. the inside of the deposit combines the columns, railings Associate in Nursingd balcony of an 18th-century Wada (a Maratha mansion) with Jainist vogue interior columns, that type the most body of the central marquee below the Maratha balcony.
- In its recent improvement programme (2008), the deposit created 30,000 square foot (2,800 m2) house for installation of 5 new galleries, a conservation studio, a visiting exhibition gallery and a seminar space, within the East Wing of the deposit. The deposit additionally homes a library.
Archaeological section
Natural history section
New galleries
Galleries
- Sculpture gallery
- Pre and early History gallery
- Natural History Section
- Indian Miniature Painting gallery
- Krishna gallery
- Himalayan room
- Decorative ware gallery
- House of Laxmi- Coin gallery
- Karl and Meherbai Khandalavala gallery
- Chinese and Japanese room
- Sir switch Tata and Sir Dorab Tata gallery of European Paintings
- Arms and Armour gallery
- Jehangir Nicholson gallery
- Premchand Roychand gallery
- Key gallery
- First Floor Circle gallery
- Second Floor Circle gallery
- European ornamental room
- Bombay college gallery
- Jahangir Sabawala gallery
- Textile Gallery
- Prints gallery
- Curators gallery and Conservation Centre
- Sculpture Gallery
- Brahma, from Elephanta Caves
- Mahishasuramardini, from Elephanta
- Parel Relief of Shiva (plaster cast) from Parel
- Sculptures from Aihole and Pattadakal
- Dvarapala, from Shamalji, Gujarat
- Garuda, from the Konark Sun Temple
- Yaksha, from Pitalkhora
- Buddha and lover from Mirpur Khas
- Ashthamahesha reproduction bust
About Children’s depository
Regarding the CM Spaces
- Creating an area that relinquishes possession to kids to make and explore what they need to find out
- Curates exhibits from the depository assortment that encourage curiosity and inspire learning
- Create object- and enquiry-based learning programmes employing a extremely active and interactive approach
- Maintain a healthy balance of objects complemented by digital interactives to make connection
- Introduce knowledge base artistic experiences and important play
- Creating important and sustained engagement with the humanities through activities, programmes
- Actively encourage collaborations with similar establishments in urban center, India and also the World to supply the simplest arts and academic encounters for youngsters.
- Conversations with communities and teams that employment with kids and address their learning problems so as to stay updated regarding the dynamical wants of young guests.
Approach of children museum
- A group of prominent citizens gathered at the Town Hall and resolved to erect a Museum building to honour the visit of the Prince of Wales. The meeting was attended by Sir Pherozeshah Mehta, Justice Chandavarkar, Justice Badruddin Tyabji, Narotamdas Gokuldas, David Sassoon, Jamsetjee Jeejeebhoy, Kikabhai Premchand and others. Finally, the Museum was established with the public contribution aided by the Government of Bombay Presidency.
- The foundation stone was laid by the Prince of Wales (later King George V) and the Museum was named Prince of Wales Museum of Western India.
- The collection of the Museum started almost simultaneously with the foundation of the Museum building.
- The winning entry by architect George Wittet (Consulting Architect to Government), was selected after an open competition. Wittet was well known for the Indo-Saracenic style of architecture of which the Museum building is one of the best examples.
- The Prince of Wales Act was passed.
- The statue of Prince of Wales (sculpted by George T Wade), commemorating the visit of Their Royal Highnesses the Prince (George) and Princess (Mary) of Wales was donated by David Sassoon.
- Construction of the building began in 1909 and was completed in 1914. The cost of the block and the necessary additions and alterations amounted to about rupees nine lakhs. During, the construction, the collection was stored in the Bombay Branch of Royal Asiatic Society basement, now known as the Asiatic Library.
- During, the war, the building was used by the military as a hospital and subsequently for the Children’s Welfare Exhibition.
- The Museum acquired Indian miniatures and other antiquities from the well-known collection of Seth Purushottam Mavji that was once a part of the treasures of Nana Phadnis (1741-1800 A.D.).
- The famous excavated artefacts from the Buddha stupa of Mirpurkhas (now in West Pakistan) were brought to the Museum by its excavator Henry Cousens.
- The building was formally handed over to the Board of Trustees by the Public Works Department.
- The guidebook was published.
- The Museum was opened to the public at 5.15 p.m. by Her Excellency, the Honourable Lady Lloyd, wife of Lord Lloyd, the Governor of Bombay.
- The Natural History Section was jointly established by the Bombay Natural History Society and the Trustees of the Museum. Dr. Salim Ali, the famous ornithologist, was the first Guide lecturer of this section.
- The major art collection of Sir Ratan Tata and Sir Dorab Tata were respectively bequeathed to this Museum. The Tata collection comprises two major sections, the European and the Far Eastern. Some outstanding Indian antiquities such as textiles, arms, bronzes and paintings formed part of this magnanimous gift. Lady Ratan Tata donated the furniture for the galleries.
- R D Banerjee, who discovered Mohenjodaro, was Honorary Curator of the Archaeological Section.
- J F Jacobs was the first Secretary of the Museum.
- The Museum was also enriched by the gift of antiquities from the Sir Akbar Hydari collection.
- A very interesting and valuable collection was added from Karl and Meherbai Khandalavala Trust
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